Producer: Jay Senter
Keyboards: Shane Keister, Larry Knechtel, Bill LaBounty,
Mike Melvoin
Guitar: Steve Gibson, Jim Gordon, Ray Parker, Jr., Dean
Parks, Lee Ritenour
Bass: Jim Hughart, David Shields, Lee Sklar, Jack
Williams, Stu Woods
Drums: Mike Baird, David Garabaldi, Jim Gordon, Larrie
Londin, Jeff Porcaro
Background Vocals: Janie Fricke, Brenda Gooch, Ginger
Holladay, Gerald Lee, Deborah Lindsay, Bergen White
Sax: Michael Miller
Finger Pops: Tow Bar, Steve Gibson, Bill LaBounty,
Brent Maher, Jay Senter
String Arrangements: Shane Keister, Gerald Lee, Mike
Melvoin
Engineering: Dave Costell, Buck Herring, Brent Maher
Cover Design: Desmond Strobel
Photography: Jonathan Exley
Illustrative Effects: Jeff Richards
Logo: Scott Griffiths
Ray Parker appears courtesy of Arista Records, Inc.
Jeff Porcaro appears couresty of Columbia Records, Inc.
Lee Ritenour appears courtesy of Elektra Records, Inc.
Lee Sklar appears courtesy of The Section and Capitol Records,
IncOpen Your Eyes - This song
first appeared on the 20th Century album Promised Love.
As far as I have been able to determine this is the same
recording as was used on that first album.
Lie To Me - This song first appeared on the 20th
Century album Promised Love. 20th Century Records
always had a thing for somewhat overdone arrangements and the
original 20th Century Records presentation was apparently a
victim of this philosophy. However, the core of the 20th
Century recording seems to be the basis of this track. Several
of the original background vocal tracks and several
instrumental tracks were removed, then new instrumentation and
background tracks recorded giving the track a less massive,
more tasteful sound.
Crazy - This song first appeared on the 20th Century
album Promised Love. As far as I have been able to
determine this is the same recording as was used on that first
album.
I Hope You'll Be Vey Unhappy Without Me - This song
first appeared on the 20th Century album Promised Love.
As with Lie To Me the original 20th Century Records was
burdened with a somewhat overdone arrangement. As with Lie To
Me, the core of the 20th Century recording seems to be the
basis of this track. Again, several of the original background
vocal tracks and several instrumental tracks were removed,
then new instrumentation and background tracks recorded giving
the track a less massive, more tasteful sound.
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